Tubby’s

{'description': "A compilation CD release and benefit show for People's Place. $5 for both venues. Tubby's opens at 3pm, and Westkill opens at noon. \n\n**Tubby's** \n3pm Miss America \n5pm Wygalator \n7pm TV Sleep \n8pm Tiger Piss \n9pm Tiny Blue Ghost\n\n**Westkill Supply** \n1pm The Grackles \n2pm Doug Stoley \n4pm Dead Unicorn \n6pm Sweet Harm", 'highlights': [{'type': 'age_restriction', 'title': 'This is a 21+ event', 'subtitle': None, 'external_link': None}]}

{'description': "It’s impossible to talk about Wicca Phase Springs Eternal without talking about transformation. For over a decade the singer, songwriter and producer Adam Andrzejewski has used the moniker as a wide creative umbrella, under which he’s made a vast body of work that’s as consistently compelling as it is constantly changing. This deft ability to blend sounds and styles has become his calling card, but no matter the genre signifiers–from rap beats, to new wave synths, to goth atmosp

{'description': 'Deface the Currency, the new second collaborative album from the Messthetics and James Brandon Lewis, grew out of a simple intuition. The group — with saxophonist Lewis joining the core Messthetics lineup of Brendan Canty on drums, Joe Lally on bass and Anthony Pirog on guitar — was on tour in the summer of 2025 when Canty knew it was time to go back into the studio.\n\nThis configuration of the band had debuted on record the year prior, releasing an acclaimed self-titled album

{'description': "For just over a decade, EXEK has very quietly become one of the most hypnotic bands on the planet, mutating and growing from record to record, gradually opening themselves up without ever losing that strange, inscrutable, altogether essential quality that’s made them so great—so EXEK-y.\n\nOn 27 February, the Melbourne post-punk outfit—vocalist and chief architect Albert Wolski, guitarist Jai Morris-Smith, drummer Chris Stephenson, synth specialist Andrew Brocchi, trumpet-brandi

{'description': 'No Need To Be Lonely, the latest from Philadelphia band Gladie, is serene, but for only just a moment. For a moment it’s a swirling dream, like paper dancing in the wind, as Augusta Koch’s voice filters in all calm and measured with words that crack the surface of the heart. “Small dose of humiliation/it keeps me humble/it keeps me waiting,” she sings. And then a snap as incandescent rhythms arrive like wolves at the gate, all guitar and drums like a whirling storm, and the crac

{'description': 'Sluice, now a four-piece band from Durham, North Carolina—with Morris on guitar and vocals, Oliver Child-Lanning on bass and various instruments, Avery Sullivan on drums, and Libby Rodenbough on fiddle—return with Companion, their third album and Mtn Laurel Recording Co. debut. It follows 2023’s Radial Gate, the quietly beloved record Morris made after fleeing NewYork for a Craigslist house in Hillsborough with then-stranger Child-Lanning, tracking songs at Sylvan Esso’s studio

{'description': '**lovetempo** is the lonely-hearts disco project of Brooklyn’s Mattie Safer (ex-The Rapture, Poolside). Mixing saudade sentimentality with shimmering disco, house grooves, and touches of jazz and soul, lovetempo crafts heartfelt, euphoric tracks supported by icons like Gilles Peterson, Laurent Garnier, and Melvo Baptiste. The debut album, There Is A Light, arrives April 17, 2026.\n\n**Meghan Dowlen** is a musician from Atlanta who crafts bold, shape-shifting pop with a theatrica

{'description': 'Mexico City based band Mint Field is one of these bands that make it shine. Guided by Estrella del Sol and Sebastian Neyra. Mint Field creates a unique blend of avant dream pop and shoegaze with some touches of trip hop that explores the nostalgia and melancholy of daily life with strong guitars and voices that are like sighs. Intrumentation and atmospheres are accompanied by delicate, harmonious and ethereal voices that are fundamental part of the sound.\n\nWith releases such a

{'description': 'MEMORIALS, the duo consisting of Verity Susman and Matthew Simms (previously of Electrelane and Wire), create panoramic pop that draws on both the familiar and the strange, while also treading new ground. With their playful and experimental style, combined with a love of good tunes, they sit comfortably alongside Broadcast, Portishead, Arthur Russell, The Velvet Underground, Yo La Tengo and Tortoise.\n\n‘Memorial Waterslides’ is the debut album from MEMORIALS. This is an otherwo

{'description': 'Doug Gillard has a new record coming out on Kingston based label Dromedary Records. Join us for a release party! Doug Gillard is a guitarist, songwriter & has recorded / played with Guided By Voices, Nada Surf, Lifeguards, Neko Case, Death Of Samantha, Gem, Bambi Kino, Sally Crewe, The Hold Steady, Scarcity Of Tanks, My Dad is Dead, Gramercy Arms & many more. The new record rips!\n\nCathedral Ceilings were formed in the late 2010s by singer/guitarist Ralph Malanga (Stuyvesant),

{'description': 'John Andrews has spent the past few years tucked away in Red Hook, Brooklyn—a neighborhood that sits just beyond the natural drift of the city. Once shaped by maritime industry and later a haven for artists in search of vast warehouse space, its history and isolation give it a quiet magnetism. Streetsweeper, the fifth album by John Andrews & The Yawns, reflects that vantage point—tranquil, self-contained, and curious about the movements most people overlook.\n\nSarah La Puerta i

{'description': 'Wolf Eyes is a band from Michigan. Formed in the fall of 1996 by N. Young. They are known for their bizarre and otherworldly approach to music. Creating a sound that is both disturbing and hypnotic. The band has released numerous albums and EPs on various labels. With their intense and bizarre live performances, Wolf Eyes has garnered a reputation as one of the most frightening and weird bands in the world. Wolf Eyes is currently John Olson and Nate Young. They have performed to

{'description': 'Pinpointing the specific catalyst for an avalanche can be slippery — any combination of classic elements, human interference, or freak accident can trigger disaster — and documenting these precise moments often rests on serendipitous reflexes. On Two Wheels Move the Soul, Robber Robber offer themselves as ignition and capture every sound in the wake. Involuntarily thrust into the throws of rootless nomadism, Robber Robber ringleader Nina Cates collects a series of pressurized vi

{'description': 'My New Band Believe, led by Cameron Picton, bassist and sometime frontman of black midi, with whom he practiced an explosive form of musical world-building, weaving complex storytelling through thrilling passages of controlled chaos. The moniker serves as an open invitation, a subtle nod to listeners willing to meet the music on its own terms, to reap the rewards of taking a flying leap into the dark. Picton leads his band so that each track forms, scatters and re-groups, the up

{'description': 'Marisa Anderson channels the history of the guitar and stretches the boundaries of tradition. Her playing is fluid, emotional, and masterful, featuring compositions and improvisations that re-imagine the landscape of American music. The New Yorker calls Anderson ‘one of the most distinctive guitar players of her generation’, and NPR refers to her as among ‘this era’s most powerful players’. Her music has been featured in Rolling Stone, NPR, The New York Times, Pitchfork, the BBC

{'description': 'Sydney’s Party Dozen (saxophonist Kirsty Tickle and percussionist Jonathan Boulet) are back with a new album Crime In Australia, the follow-up to 2022’s The Real Work. The Real Work proved to be an international breakthrough for the group. Tracks such as the Nick Cave-featuring “Macca The Mutt”, the radio-friendly skronk of “Fruits Of Labour” and the epic string-drenched beauty of “Risky Behaviour” won fans far and wide, enabling the group to take their wild and intense live sho